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Sunday 17 October 2010
Aakrosh (2010) Hindi/Indian Film
Knock Out (2010) Indian/hindi film
Wednesday 13 October 2010
Do Dooni Chaar (comedy)hindi/indian film
In a season of overblown action-comedies with superstars laying down the ground rules for dynamic dadagiri on the large screen, it is refreshing and comforting to see an aging world-weary working-class hero who travels to work on a rickety scooter and tries to fulfil his nuclear family's dreams of a car.
The journey from the two-wheeler to the four is what "Do Dooni Chaar" is about. It's a simple premise peppered and punctuated by scenes and dialogues straight out of a Punjabi middle-class household in Delhi where the two grownup kids dream of BMWs and IPL shares, while the father tries to put together money for an Alto car and chicken meals for his family.
The film, directed by debutant Habib Faizal, has a heartwarming slice-of-life feel to it. Rishi Kapoor, playing a working-class loser for the first time in his career pitches in a near-flawless performance as a maths teacher whose students have gone on to own the best cars in the world while he, the gyan guru, remains frozen in his middle-class karma.
Mercifully, the neatly scripted but at times a little under-done film opts not to focus on the irony of a knowledge-giver's financial burdens. Instead, the plot cleverly digs out situations where the Duggal family is shown getting into comic crises, such as the wedding at Rishi's sister's in-laws' place where the Duggal parivar has to show up in a borrowed car.
These situations written sensibly and enacted convincingly echo the savagery of life for the workingclass without wasting time feeling sorry for the characters.
Not just Rishi's character, even his wife, played by the lovely Neetu, comes across as unfussy, practical and sensible householder who makes ends meet not by the size of her husband's income, but by a miraculous mix of common sense and uncommon guts.
It's a pleasure beyond measure to watch Rishi and Neetu play their real-life roles on screen. For those of us who watched the pair do "Khullam khulla pyar" in their heydays, watching them slip effortlessly into the roles of harried parents seems like a journey well taken.
Add the two teenage actors playing Rishi-Neetu's son (Archit Krishna) and daughter (Aditi Vasudev) into the plot. And we are face-to-face with as real a family as it can get in a quirky whimsical earthy and heartwarming saga of a workingclass family's promotion in life from the scooter to the automobile.
The script sometimes careens towards a scathing comment on the road taken by the underpaid teaching fraternity country. Blessedly Rishi, one of the finest and most underrated actors of our country, plays Santosh Duggal as a bit of a rogue, not averse to shortcuts when the going gets really tough.
The humanisation and under-idealisation of the knowledge-giver is a clever touch in the script. The debutant director demonstrates substantial scripting skills in the way he leads his protagonist up the road of corruption and then pulls him back from temptation just in time.
On a level that goes beyond entertainment, "Do Dooni Chaar" is actually a timely warning to the architects of the country's education system. The film says… don't let the guru (teacher) become a shishya (pupil) of compromised idealism. Pay the teacher well. On the other hand, if such a reform in the educationalist's lives really happened, we wouldn't have the pleasure of seeing Rishi Kapoor deliver such a lived-in bravura performance.
Go for "Do Dooni Chaar". Its title says it all, suggesting not only that the protagonist is a mathematician but also that he is constantly trying to count the ways to make his family's life comfortable.
Here, it all adds up.
Review by Subhash K. Jha
CROOK- Its Good To Be Bad 2010 (HINDI MOVIE/FILM )ACTION FILM
Why didn't we think of sending the amazing super-hero Emran Hashmi to Australia before? Emran Saab's solution to global malevolence as provided in this disappointing mismash of masala and headlines is simple enough.
It's good to be bad. So says the smooth-sayer. Fair enough. If only the director had not decided to apply the motto to the treatment of this film.
At last our revenge on the Aussie attacks. This film is the ultimate comeuppance for the Australians… those so-and-sos who have been maltreating our hapless students who go to the firangi land to garner education and come back black and blue.
Blue is the colour that director Mohit Suri favours for his lurid leery look at gori babes in Melbourne. There's a gori chick and a brown chick for the Chick-let hero to chose from. He sleeps with the former and falls in love with the latter. As simple as that. Indian women are to revered. Foreigners are to be… you know!
In trying to do a ferocious flag-waving trick over the complex issue of racism and colour prejudice, "Crook" ends up making the Australian population look like a bunch of psychotic killers bashing and burning the good desi boys who have gone Under to gain gyan. Is this Australia or Chicago during the Prohibition?
But wait. Suddenly the script decides to tilt the imbalance. Now the goras are not that evil. It seems Indians too create an obstinate culture block when they go abroad. They just don't know how to blend.
Thoroughly confused in its politics, "Crook" is one of those films that attempts to combine conviction with entertainment and falls between the two stools in the absence of those tools that lend skilful curves and slants to the storytelling. The narrative is uneven lopsided and askew. The pace goes from sluggish to frantic within a few reels providing us with no space to observe the characters' motivations beyond a cursory glance.
Mohit Suri who revealed a substantial grip over his material and characters in "Kalyug" here seems undecided about where to take his plot. The people who populate the storytelling seem to start off on page 1 of the newspaper and then head towards the cartoon section.
Technical aspects, another strong aspect of Mahesh Bhatt's films, are on this occasion just about okay.
The performances miss the intensity of Bhatts' "Gangster" and "Kalyug" by a wide margin. But Neha Sharma makes an expressive Hindi-cinema debut.
As for our super-hero … Move over, Rajnikanth. Emran Hashmi is more robotic in his expressions than you can ever be.
Monday 11 October 2010
How to Get Virtual Desktops on Windows XP
A lot of people prefer multitasking. The best tool for that purpose is virtual desktops. Virtual desktops provide the opportunity to run many desktops at the same time from a desktop computer or laptop. It is very easy to switch among the desktops by just using a button. Every virtual desktop can possess its unique applications as well as a different background. The feature of virtual desktops is not included in Windows XP by default. However, you can easily get virtual desktops on Windows XP. The means to get virtual desktops on Windows XP is very safe for the computer. All you have to do to get virtual desktops on Windows XP is to use software. This software provides four desktops to use.
In order to get virtual desktops on Windows XP, you have to use the Microsoft PowerToys download page.
Follow these simple steps to get the virtual desktops:Go to the “Microsoft PowerToys download page”.
Choose DeskMan.exe from the list on the right hand side of the window.
It will allow you to download the file named DeskmanPowertoySetup.exe. Double-click on the file.
Choose the option “Complete” for installing.
It will be installed in a very little time. Right click on the taskbar at the bottom of your screen.
Point to Toolbars. You will now see the new option called Desktop Manager.
Click on Desktop Manager.
The desktop manager toolbar will appear:
Every blue button represents a unique desktop. The green button can be used to preview the four virtual desktops.
Right-click on one of the buttons to see the options for configuration.
Success! This is the preview of the virtual desktops:
You just have to click on any of the desktops in the preview screen in order to get that desktop in the front. Virtual desktops can prove to be very useful if you want to divide your recreational applications and your work applications.